Localization | TooSixMG

Hand-painted watercolor and gouache illustration, soft painterly brushwork, no hard outlines, muted amber and dusty cream palette, single warm interior light source, gentle film grain, full bleed, no borders, image fills the entire frame edge to edge, 16:9. Two voice actors, korean man and latina woman, in separate recording booths seen side by side through glass, one mid-performance in an animated expressive pose, the other in a calmer stance, connected visually by a shared soundwave flowing between both booths. No text, no logos. no white border or frame.

Mixing for Two Markets: What Changes Between an English and Korean Dub

Mixing a dub isn't a copy-paste job. Here's what actually changes between an English and Korean mix — from syllable timing to sibilance to where emotional emphasis lands — and why treating both as one mix costs you a mix that feels locally directed.

Marlene Gmeiner

Aug 113 min read

A Middle Eastern woman in her 30s performs intensely at a studio microphone inside a minimal recording booth. Although only her voice will be heard, her entire body is engaged—knees bent, shoulders tensed, one hand bracing against her side, the other reaching outward as if reacting to an unseen impact. Wisps of watercolor motion trail from her movements, subtly transforming into abstract silhouettes of sprinting, dodging, climbing, and staggering figures around her, suggesting the physical actions she is performing vocally. The microphone and booth remain grounded in reality while the imagined movement blooms outward in expressive brushstrokes, emphasizing that convincing combat performances come from full-body physicality, even when none of it is ever seen by the player.

Voice Direction in Games: Why Combat Barks Are Harder Than Cutscenes

Cutscenes get the credit, but combat barks are the real technical challenge in game voice direction. Here's why repetition, variation sets, and zero visual reference make barks some of the hardest work in VO — and what it means for casting.

Marlene Gmeiner

Jul 146 min read

A voice actor sits alone in a professional recording booth, two printed script pages side by side on the stand — one covered in Korean characters, one in English. They stare at both pages, expression quietly conflicted. Warm studio light through the booth glass. Soft watercolor textures, hand-painted digital art, impasto brushstrokes, warm muted desaturated pastels, golden hour lighting, volumetric light rays, shallow depth of field, analog film grain, illustrated never photorealistic.

Lost in Translation: Why Literally Translated Scripts Break Voice Actors

Why do Korean-to-English dubbed scripts break voice actors? We break down the localization mistakes — from honorifics to untranslatable words — that cost performances.

TooSix Media Group

Apr 77 min read